Ambient noise, which would be pure poison to the composition's withdrawn, lyrical passages, is nowhere to be heard on the copy before us. "Richter's idea of producing an 'analog' sounding version of his work is fully realized by the warm and earthy sound. Creative work is about discovering things you didn't know existed."
He himself quotes John Cage on the subject: "As artists, our business is curiosity," and comments: "That sums it up, I think. Check out Richter: Spring 1 by Max Richter & Daniel Hope & Konzerthaus Kammerorchester Berlin & André de Ridder on Amazon Music. The result is a unique musical journey and the extraordinary opportunity to rediscover one of Max Richter's absolute masterpieces once again in the dazzling colors of the Baroque. "Hearing Vivaldi's sound palette in the new score was extraordinary - it was like fireworks." Max Richter They perform the new version THE NEW FOUR SEASONS on original string instruments from Vivaldi's time and the "Stradivarius among synthesizers" - an early Moog from the 1970s. Together with the musicians of the Chineke! Orchestra and the brilliant violinist Elena Urioste, he now delves even deeper into the fascinating sound world of this groundbreaking work. Since then, Max Richter has thrilled audiences of millions worldwide with his "Vivaldi for the 21st century" (DIE ZEIT), touching not only those who know the original inside out and love it, but also completely new generations of listeners, whether in concerts or in films and series, as most recently in the Netflix success formats Bridgerton or The Crown. Never before had one of classical music's most beloved works, Vivaldi's Four Seasons, been heard in such a way.
When Max Richter first released his album VIVALDI RECOMPOSED in the fall of 2012, the impact for many was unparalleled.
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